The Music Between Us


Yesterday, my father told me he is dying.

He spoke about wills, final wishes, burial or cremation—the practical conversations that somehow feel impossible until they are suddenly necessary.

He is 76. Stage IV. Terminal. Less than a year, the doctors say.

Two years ago, I had cancer too. Stage II. I fought it. I survived it. Now I sit with the strange, specific weight of knowing exactly what that word costs from the inside, while watching my father carry a version of it I never had to face—the version where survival isn’t the expected outcome.

As he talked, I interrupted with my own story.

I told him about my mother. About how she left no will. No insurance. How everything fell to me. I thought I was explaining why those details mattered, but today I realize he wasn’t asking me to solve a problem. He was inviting me into one of the hardest conversations of his life.

That realization has been sitting heavily with me.

Not because I meant to be insensitive, but because I wish I had simply stayed with him.

This was the first time we had spoken since I called him in March 2024 to tell him my mother died. Over two years of silence, broken by two phone calls—one to tell him someone we both loved was gone, and one to tell me he is going too.

The strange thing is that today, it wasn’t his diagnosis that made me cry…

It was music.

I was building a playlist for my husband—something small, something mine to give him—and I caught myself pausing on opening tracks. A few notes in, and I already knew where a song was going. I started following the thread just to see where it led.

Stevie Wonder led to George Michael.

George Michael led to Janet Jackson.

Janet led to Michael Jackson.

Michael led to the Fender Rhodes.

The Rhodes led to the Hammond B3.

The Hammond led back to my childhood.

I could suddenly see my dad again—sitting at his keyboards, teaching me “96 Tears” and “House of the Rising Sun.” I can still hear the Leslie speaker swirling through the room. I can still hear Stevie Wonder playing somewhere in the house.

I realized something I had never put into words before:

The way I hear music isn’t accidental.

When I recognize a Rhodes within the first few notes…

When I notice that two songs share the same harmonic language…

When I care more about who played on a record than where it charted…

Those aren’t just my tastes.

They’re part of my father’s legacy.

He gave me that.

For years, I carried hurt. Some of it was justified. Some of it became habit. After my mother died, distance became easier than reconciliation. Time quietly passed while I assumed there would always be another chance to talk.

Most of us believe there’s always another tomorrow. For years I believed there would always be another tomorrow for this conversation. There wasn’t. Every year I spent guarding old wounds was a year I didn’t spend with my father.

Now, there may only be months.

That isn’t justice.

It’s just regret, arriving early and wearing a different name.

It’s amazing how quickly old arguments lose their weight when time becomes measurable.

The past hasn’t changed.

Neither has the hurt.

But something else has become more important.

I don’t want the last chapter of our story to be defined by the years we didn’t speak.

I want him to know that every time I hear Stevie Wonder, every time Eric Clapton comes on the radio, every time I recognize the sound of a Rhodes piano, I think of him.

Children inherit many things from their parents.

Sometimes it’s their eyes.

Sometimes it’s their smile.

Sometimes it’s a love of music so deeply rooted that decades later, a single chord can bring them home.

I don’t know how many conversations my father and I have left.

But I hope one of them is simply about music.

Because somewhere between Stevie Wonder and The Yardbirds, between a Rhodes piano and a Hammond B3, between Beatles and Stones, my father quietly gave me a part of myself.

Before he leaves this world, I want him to know that the way I hear music is one of the greatest gifts he ever gave me.


The First Cookie

How my grandmother’s kitchen became the quiet center of my childhood world.

Homemade cookies from my grandmother’s WWII cookbook recipe.

As the anniversary of my mother’s passing approaches this week, I’ve been reflecting on family, memory, and the people who quietly shape who we become.

Grief has a way of resurfacing older memories, and for me it often leads back to my grandmother — the person who created a small pocket of steadiness in an otherwise complicated childhood.

This week’s post is about her kitchen, a WWII-era cookbook, and the simple ritual of baking sugar cookies that continues to connect generations of women in my family.

Read more: The First Cookie

My grandmother’s kitchen always smelled the same – Palmolive dish soap at the sink, Pine-Sol on the floors, and something baking in the oven.

For most of my childhood, her kitchen was the safest place I knew.

While my parents’ relationship was often chaotic and painful, my grandmother’s home was steady. The kitchen was the heart of it all. She was almost always cooking or baking, and from the time I was very small she let me help.

My first real job in that kitchen was making sugar cookies.

The recipe came from her old cookbook published during World War II, adapted from my German great-grandmother’s version. The dough was stiff and difficult for a little girl’s arms. I remember struggling to cream the butter, sugar, and eggs together with a wooden spoon before adding the dry ingredients and forming the dough.

My grandmother was endlessly patient.

She loved that I was a child full of energy and curiosity, but when given a task I could become completely focused. She never rushed me. She simply stood nearby, quietly encouraging me as I learned.

Once the dough came together, we rolled it out carefully to just the right thickness. Then came my favorite part: choosing from her drawer of cookie cutters.

They had been collected over decades – some stainless steel, some tin, some copper – shapes that likely dated back to the years after World War II. We pressed them into the dough and laid the cookies onto baking sheets before sliding them into the oven.

When the first tray came out, we let the cookies cool on racks or plates. Sometimes she would let me taste one right away, especially from the first batch.

And we rarely baked just one batch.

Often we made dozens – cookies to give away, to share with neighbors, or to donate to the women’s group at church. Baking in her kitchen was never just about dessert.

It was about generosity.

In the fall we visited the apple orchard and brought home a bushel of apples for applesauce. In the summer she grew enormous beefsteak tomatoes in a garden she had tended for years.

Her kitchen was a place where things were made, cared for, and shared.

Looking back now, I realize that many people have someone like that in their childhood – a person whose home becomes a refuge from the rest of the world. For me it was my grandmother’s kitchen. It was the place where life felt predictable and kind, where small tasks like rolling dough or measuring flour carried a quiet sense of purpose.

At the time I didn’t understand how rare that steadiness was. I only knew that when I was there, the world seemed to make sense.

When my grandmother died in 1987 after a long and difficult medical ordeal, the center of my childhood disappeared. The family that had once revolved around her slowly came apart.

Years later, I misplaced her cookbook and feared the recipe might be lost. Eventually I found the exact same edition online; the same World War II version she had used at her kitchen counter, and bought it immediately.

Now every Christmas I bake her sugar cookies again.

As I stand in my own kitchen now, decades later, I often think about that little girl standing beside my grandmother at the counter.

The dough is still stiff. My arms still ache a little when mixing it. I still roll it to the same thickness and use cookie cutters that feel like they belong to another era.

And when the first batch comes out of the oven, I always eat the first cookie.

Even now, I cannot bake those sugar cookies without thinking of her.

Usually I’m alone in the kitchen when I bake, but it never really feels that way.

I think about my grandmother’s hands — the way she hugged me, holding on longer than most people do and gently patting my back.

She had a way of making ordinary moments feel steady and safe.

Someday I hope my granddaughters will stand beside me in the kitchen the way I once stood beside her, struggling with the wooden spoon and learning how to roll the dough just right.

And when I hand them the first cookie from the first batch, I will know something important.

The love my grandmother gave me never disappeared.

It simply found its way forward.


The hands that once held mine now live quietly in the traditions I keep.