
Yesterday, my father told me he is dying.
He spoke about wills, final wishes, burial or cremation—the practical conversations that somehow feel impossible until they are suddenly necessary.
He is 76. Stage IV. Terminal. Less than a year, the doctors say.
Two years ago, I had cancer too. Stage II. I fought it. I survived it. Now I sit with the strange, specific weight of knowing exactly what that word costs from the inside, while watching my father carry a version of it I never had to face—the version where survival isn’t the expected outcome.
As he talked, I interrupted with my own story.
I told him about my mother. About how she left no will. No insurance. How everything fell to me. I thought I was explaining why those details mattered, but today I realize he wasn’t asking me to solve a problem. He was inviting me into one of the hardest conversations of his life.
That realization has been sitting heavily with me.
Not because I meant to be insensitive, but because I wish I had simply stayed with him.
This was the first time we had spoken since I called him in March 2024 to tell him my mother died. Over two years of silence, broken by two phone calls—one to tell him someone we both loved was gone, and one to tell me he is going too.
The strange thing is that today, it wasn’t his diagnosis that made me cry…
It was music.
I was building a playlist for my husband—something small, something mine to give him—and I caught myself pausing on opening tracks. A few notes in, and I already knew where a song was going. I started following the thread just to see where it led.
Stevie Wonder led to George Michael.
George Michael led to Janet Jackson.
Janet led to Michael Jackson.
Michael led to the Fender Rhodes.
The Rhodes led to the Hammond B3.
The Hammond led back to my childhood.
I could suddenly see my dad again—sitting at his keyboards, teaching me “96 Tears” and “House of the Rising Sun.” I can still hear the Leslie speaker swirling through the room. I can still hear Stevie Wonder playing somewhere in the house.
I realized something I had never put into words before:
The way I hear music isn’t accidental.
When I recognize a Rhodes within the first few notes…
When I notice that two songs share the same harmonic language…
When I care more about who played on a record than where it charted…
Those aren’t just my tastes.
They’re part of my father’s legacy.
He gave me that.
For years, I carried hurt. Some of it was justified. Some of it became habit. After my mother died, distance became easier than reconciliation. Time quietly passed while I assumed there would always be another chance to talk.
Most of us believe there’s always another tomorrow. For years I believed there would always be another tomorrow for this conversation. There wasn’t. Every year I spent guarding old wounds was a year I didn’t spend with my father.
Now, there may only be months.
That isn’t justice.
It’s just regret, arriving early and wearing a different name.
It’s amazing how quickly old arguments lose their weight when time becomes measurable.
The past hasn’t changed.
Neither has the hurt.
But something else has become more important.
I don’t want the last chapter of our story to be defined by the years we didn’t speak.
I want him to know that every time I hear Stevie Wonder, every time Eric Clapton comes on the radio, every time I recognize the sound of a Rhodes piano, I think of him.
Children inherit many things from their parents.
Sometimes it’s their eyes.
Sometimes it’s their smile.
Sometimes it’s a love of music so deeply rooted that decades later, a single chord can bring them home.
I don’t know how many conversations my father and I have left.
But I hope one of them is simply about music.
Because somewhere between Stevie Wonder and The Yardbirds, between a Rhodes piano and a Hammond B3, between Beatles and Stones, my father quietly gave me a part of myself.
Before he leaves this world, I want him to know that the way I hear music is one of the greatest gifts he ever gave me.
